Romanesque Monogram Sets
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This architectural monogram style is european in origin. The wide satin stitch letters feature a split satin-stitch fill pattern, with delicate satin-stitch scrollwork in the background, giving an elaborate shadow effect. The letters can easily be used alone by skipping the first color scrollwork.
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This monogram style is taken from one of the vintage monogrammed hankies in our Monogram Museum collection. The rounded satin stitch letters with curling Romanesque details are surrounded by an intricate flower and vine border, done in satin stitch, with a bow at the bottom. Although done as a two color design, this monogram looks wonderful when sewn white-on-white in all one color. The letters can be used alone by skipping over the border design.
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A smooth and graceful monogram style that will really appeal to music lovers. Inspired by 1930s Art Deco interpretations of the lyre, the harp of ancient Greece, there are thin rows of satin stitch "strings" that compliment the satin stitch letter design. Done in two colors, this style looks equally classy sewn tone-on-tone in a single color.
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Based on artwork from the 1940s, this monogram style has a simple formal elegance. The two color crest design is done in satin stitch with a thin satin stitch outline, and the fluid upright letters are done in satin stitch with scroll details. Use the crest alone, or the letters alone, by skipping the unnecessary part.
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This monogram style is digitized from artwork from the 1930s. It consists of a 5 color decorative crest design, done in satin stitch with manually digitized fills for the two stylized flowers. The crest surrounds satin stitch letters that have different versions for left and right for use in two-letter monograms. The letters can be used without the crest.
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The artwork for this monogram style is late 19th Century - more than 100 years old ! A delicate vine motif creates the mood, and the elaborate letters complete it. The satin stitch letters can be used alone by skipping the first color.
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This monogram style is digitized from 1940s artwork. The large letters are done as outlines in satin stitch with open centers between border elements, and each letter sits in the center with a two color rectangular satin stitch frame surrounding it. The smaller letters are simpler in style, and are intended for use in creating a three letter monogram by merging the appropriate letter on the left and right.
In addition to the three-letter combination shown, there are a multitude of possibilities: Want a single initial with frame? (use only the large letter) Want everything as a single color? (use the same thread for all three design colors). Want only the larger open letter without the frame? (skip color 1 and color 2 on your machine.) Want the larger open letter with flanking letters, but no frame? (merge the flanking letters on either side, then delete colors 1 and 2 in your software). You get the idea - simple manipulations create very different visual results.
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The artwork for this monogram style is from a French publication for hand embroiderers from 1910. A leaf and vine motif surrounds the letters, accented with circular dots between the upper and lower garland sections. All the elements, including the very thin details are digitized in satin stitch.
We have done this monogram style in three colors, but a single color monogram is easily sewn by using only one thread color. The color changes also make it easy to separate the design into parts - the letters can be used alone by skipping over the border design.
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This monogram style is digitized from early 1930s artwork. Each letter is an unusual satin stitch ladderback design, and is contained within a simple stylized satin stitch vine "crest", with a ring embellishment as an accent at the bottom. The letters would be interesting used alone. You can either delete the vine and ring (which sew first) in your embroidery software program, or skip past Color 1 and Color 2 on the machine.
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Digitized from artwork from the 1930s this monogram set has distinctive "modern" letters, surrounded by wing stitch and open circle decorations, with all contained within a satin stitch crest. Like only the letters -or only the decoration? The elements are different colors and can easily be separated in your embroidery software program.
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Classic satin stitch letters, with small stylized leaf embellishments, are surrounded by a simple rounded crest composed of vines, leaves, and flowers. This monogram style is digitized from 19th Century artwork. There are options for various color combinations - or use one color for everything.
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The artwork for this monogram style is French - from the 1930s. The leaf motif outline is done in satin stitch, as are the letters. The interior leaf fill is a manual seed stitch. In order to provide maximum creative color potential that element is digitized as three passes - in three different colors. Our sewn sample shows how this can look with orange, light green, and yellow gold treads. For a simpler result you can use the same thread color for all three - or sew just the outline by skipping over the fill colors. However it's done this two-letter monogram has a sophisticated look.
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The artwork for this satin stitch monogram is French - from 1957 - but it looks much older, almost ancient. There are left and right versions of each letter, intended to be combined in a two-letter monogram. Each letter has two satin stitch rings as accents.
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- .csd Singer / P.O.E.M
- .dst Tajima
- .exp Melco expanded
- .hus Husqvarna Viking
- .pcs Pfaff
- .pes Brother, Babylock, Bernina
- .sew Janome/New Home, Elna
